In part I of this blog post I identified three key appeals of the Fujifilm system from my perspective:
Fuji’s commitment to ongoing improvements
User experience I have already discussed, so in this second and concluding post I want to concentrate on Fuji’s commitments to ongoing updates and that elusive element – soul.
First though, Fuji scores highly in my book for continually upgrading the capabilities of their cameras by releasing major firmware updates. Many of these updates add new features, not simply bug fixes so it can sometimes feel a little like getting a new(ish) camera. With their X-series cameras therefore Fuji keep releasing firmware update to make their more recent cameras better whilst still introducing new camera models with ever better specifications. Now, models don’t stay on this upgrade path forever however, but it is very pleasing to see new functionality trickling back to previous models where processing and physical capacity exists in the older kit.
Now some will argue that releasing new firmware for the cameras, not just every few years but sometimes within months of the last, is an admission that the camera was not fully finished on launch. The other snipe I have heard is that they use a few new features to hide the fact that the update is simply to fix previous bugs that slipped through the net. However, they have also introduced firmware updates that have improved the performance of their lenses and enabled them to fully access the newer features in newer camera models.
It’s possibly over-egging the pudding somewhat to say that each time Fuji releases a firmware they essentially give you a new camera, however it certainly does give me a really good feeling about the company. Bug fixing, shrewd marketing or good customer service? You chose which axe you wish to grind and you take your pick!
As always I will leave the technical stuff and a discussion of the cameras’ specifications to others. I’m an enthusiast photographer rather than a working pro and what matters most to me is that very nebulous quality of the user experience – or in the case of these cameras “soul” I like to think.
The words user experience were very easy to type in the first part but were very hard to define in detail and not least because it will vary considerably from one person to another. Soul is even harder to define – even with a dictionary to hand! For me, a camera needs to feel “right” in my hand. I can’t write the exact feeling down but know it when I experience it. I now have four Fuji camera bodies and each feels a little different, each has its own characteristics and each its own personality almost. Okay, a bit too poetical I suspect! But soul emanates from this user experience.
When out with one of these cameras I feel at ease, confident in the technology and my ability to create images with it. These cameras just perform really well for me and with them I can produce images that I am happy with and do it without stressing too much over technicalities. They just work. But as the saying goes your mileage may vary so this will not be the same for everyone. I just try to keep an open mind when I use any camera and having used Nikon and Canon extensively as well as various other makes in the last forty-plus years I can confidently say none gave me the same buzz as using these Fujis. That might sound a little fan-boyish but is not intended as such. I genuinely think that there is no such thing as a bad camera these days – just that some cameras fit better with our individual ways of working than others.
So, my five penn’orth to add to an already overcrowded “I moved to mirrorless” oeuvre.
How many “I moved to [INSERT BRAND]” blog posts or videos have you seen over the last couple of years? If you are like me it is dozens and if like me you’ve made or considered the switch then it’s likely to be multiple dozens. So, with no excuses for a lack of originality here is my five penn’orth.
Unlike many I wasn’t drawn towards mirrorless because of size or weight. For me, at that time, size didn’t matter [pause for the sniggering to stop] and nor did weight. For me it all started with an unusual example of being a relatively early adopter (albeit unwittingly) when I bought the Fuji X100, a quirky mirroless, rangefinder style camera with many irritating shortcomings that drove me initially to distraction and ultimately to selling the camera. That should have been it really but it left behind an itch.
I should perhaps out at this point that I bailed out before the firmware update that addressed many of these issues. At that time I knew little about Fujifilm apart from Velvia and Provia film and was not aware of their business model which continues to support camera models even after people have bought them. As a Canonikon user for over thirty years the concept of firmware updates that provided new or improved functionality was alien to me.
Fast forward three years after abandoning the X100 and with the itch seemingly pushed to the background, I chanced upon a review of the Fuji X100s which was it’s replacement. It was a much improved successor it seemed although I was reading an old review because the X100t had hit the streets by then. Perversely, despite its irritations I still missed the experience of using the X100 and, long story short, in the way that things can escalate when browsing the interweb I ended up putting a used Fuji X100t in the shopping basket. That was May 2016 and the X100t has been a constant companion ever since.
The rest as they say is history as I slowly but surely become more deeply immersed in the world of mirrorless and more specifically the Fuji X-series camera system. My move from a long term SLR/DSLR user to a purely mirroless shooter has taken two months short of three years. As already mentioned I’ve been using X-series cameras however since 2011. There was no “Eureka!” moment however, just a gradual shift which culminated with the sale of my Nikon D800E in late March 2019. In the space of the last seven years I’ve moved from Canon, a brand I used for over thirty years, to Nikon DSLRs and now the Fuji X-series. I’ve spent more than I’d ever admit to myself let alone the wife! I’ve also lost a small fortune on part exchange, but financial considerations aside I have enjoyed actually using every piece of kit I’ve ever owned.
So why did I settle on the Fuji X-series? I think there are three key reasons, none of which are weight or size.
Fuji’s commitment to ongoing improvements
Not really a techy, geeky list it? Let’s take experience first. For someone like myself who took up photography in the 1970s with a Zenith E, a Russian-built tank of a camera, Fujifilm’s retro styling appeals to me both visually and practically. Having physical dials and knobs harks back to simpler times and on a practical level I really appreciate being able to see my key settings without having to squint at an LCD screen especially in bright sunlight.
I am an enthusiast photographer so it is important to me that I enjoy using my kit. With less than perfect eyesight too, having the information on the camera body is a boon. For me, the Fujifilm system allows for a very tactile experience and the fact that when shooting I can set everything on my X-T3 without touching a menu or looking at an LCD screen really adds to that experience and thus to the enjoyment.
In part two I will look at Fujifilm’s firmware update approach and try to put into words that final nebulous bullet point – soul.
How to define “mojo”? Well, the dictionary on my desk says:
“… a magic charm, talisman or spell”
Which is all well and good and accurate etcetera but not quite how we tend to use it as we tend to define that peculiar lethargy that robs us of the inclination to create as “losing my mojo”. Clearly, for me that means photography but I think it can be interpreted much more loosely and be used to encompass not just creative activities but other less creative pursuits.
As an aside, mojo is also the name given to several spicy sauces originating in the Canary Islands. But I digress (and not for the first time).
I do try to stay creative and full of energy and my 365 Challenge has proved very effective in keeping my enthusiasm alive but even so there are the odd days when it is more of an effort. I wrote this piece on one such day as part of my daily fifteen minutes free-writing exercise. I was supposed to have been in Manchester indulging in some street photography but, long story short, I’m at home through no fault of my own. Perhaps the sudden removal of something I’ve been looking forward to all week has contributed to this lack of enthusiasm?
I’ve just taken the grandson to school, something I do most days, and slipped my Fuji X100t in my pocket intending to wander down to the canal for a walk and to take a few snaps. Instead, I went straight to my favourite local cafe and had breakfast before heading home. I did listen to a podcast on my phone whilst at the cafe so not all was lost – but still I avoided using the camera!
I’m not the first and won’t be the last to lose their mojo and in fact this wasn’t even my first such case of a disappearing mojo but nevertheless it is worrying whenever it happens. Sure, history shows that I will get over it … but what if?
The good news is that disappearing mojos have a knack of returning especially with a lit bit of gentle coaxing. The first thing I do is put the camera away and if practical take a walk (without a camera) or sit with a coffee and a (non-photography) book. Sometimes just forgetting about creating for a while can help to clear the negative log-jam that is holding your creative juices back.
Another thing that often works for me is tidying up my desk. Sounds odd but simply handling the photographic detritus on my desk and putting it back where it belongs can often reignite an interest in doing something. That fisheye lens buried under a pile of papers that hasn’t been used in a while … now I wonder … It’s a bit like buying new kit without the costs involved; new kit is a sure fire way for many of us to get out with a camera and regain that enthusiasm but it’s not always economically viable.
If that doesn’t work I take a look back through my archive and remind myself of the many “wins” in a bid to remove negative thoughts. Sometimes seeing an old image can rekindle an interest in a particular technique or subject leading me to have another try.
If there is one thing that my own experience has taught me however it’s that I shouldn’t panic. The “lost” mojo is not gone but merely stood out of sight for a while, it will return and sometimes stressing about it only makes things worse.
This was originally posted in June 2016. It’s taken around three years to move to a full Fuji system so to celebrate I’m republishing a couple of original articles. I am in the process of writing both an updated review of the Fuji X-T3 and also revisiting this post that firs appeared on davewhenhaphotography.com.
It may just be because of my recent researches but I’ve seen a lot of blog posts along the lines of “My journey with Fuji”, “My switch from [insert brand here] to Fuji” or “Moving to Fuji – my story”. So the virtual world probably doesn’t need another such post. But then again I figured that as my posts are read by approximately one and a half people each time perhaps it would be OK to slip this one in under the radar.
I was as it happens a very early “adopter” buying the Fuji X100 when it first came out and I instantly became enamoured by its retro styling and the way it forced me back into a way of shooting I’d last enjoyed thirty years previously.
That however was the honeymoon and whilst I continued to use the X100 regularly as shown by the images above it’s shortcomings and quirks finally led to it being left at home more and more until 2015 when, whilst switching my DSLR kit from Canon to Nikon, I finally decided to part company with the Fuji.
It was a difficult decision, in so many ways it was a joy to handle but it could be a frustration to actually use and despite its image quality (I won a club competition with an X100 image) the fact that it was spending so much time in the drawer meant I wasn’t getting any meaningful benefit from ownership. The major firmware update in late 2013 came too late for me, by that time the X100 and indeed Fuji were rarely in my thoughts and I completely missed the announcements. I did update the firmware before selling the camera but by then the die was cast. I cried quietly inside at how little I got for it but that’s another story.
Looking back this morning I am well pleased with some of the images I made with the X100. On those occasions when I could be bothered to wrestle with it’s idiosyncrasies I was usually happy with the results even if getting there was sometimes somewhat painful. I never used the Fuji JPEGS from the X100 but was always more than happy with the quality of the RAW (RAF) files it produced. From time to time though after selling the X100 I did regret the decision.
Recently however I’ve been looking again at the Fuji X100, now in its third iteration as the Fuji X100T. I initially started looking at classic film rangefinders with no intention of reentering the premium large sensor, fixed prime lens digital market. However, wherever I looked the Fuji X100T kept cropping up in articles, blog posts and discussion groups. Which naturally meant I followed the threads and dug deeper. And deeper. And yet deeper still.
So deep in fact that the X100T entered the house and I have very quickly embraced this newest iteration of the X100. The handling is the same but the user experience vastly improved. Using this style of camera needs a different approach compared to a (D)SLR, more akin to a traditional rangefinder, but as with everything the secret is in getting to know your kit and actually using it regularly. I’ve used the X100T daily since I got it and the mechanical side of things is starting to become intuitive; muscle memory is being formed and changing settings is becoming easier through repetition. I think that is the secret with any camera, practice, practice and yet more practice. Several of the buttons on the camera can be customised and I’ve been through three separate formations so far, each slightly more helpful to my way of working than before.
Getting to know the camera hasn’t been without its frustrations of course but I’m already feeling at home with the X100T and the quality of the images who I get it right make the effort very worthwhile. Two main things stand out art present. Firstly, the camera tends to under-expose to my taste in most situations, not a major problem as I now keep the EV dial on +1 most of the time but I do need to keep an eye on exposure. I will experiment further with exposure modes and see if that helps in this regard.
The X100T is great for candid photography and the image quality at ISO 6400, when exposed correctly, is superb. No complaints from me. The image above was shot at 1/60th second at f4 and ISO 6400 from a distance of five feet or so with the camera sat on my leg.
Which leads me to my other frustration, which I would stress is down to my handling and NOT the camera, and that is the number of blurred shots I acquired when street shooting due to the shutter speed being too slow. My bad as they say but I have been setting far too small an aperture for street candids I think. As a landscape photographer I am used to defaulting to f11 as my go-to aperture. When shooting portraits I often use f2.8 or even wider on occasions. Out on the streets of London last week I set the X100T to f8 or f11, auto ISO (with a maximum of 6400) in aperture priority and manual focusing. Looking at the images this morning far too many are blurry and when I dig deeper I’m seeing shutter speeds of 1/15th second or less. When moving on the street I suspect that even 1/30th or 1/60th of a second might be too slow. This is NOT a fault of the camera but it is something to be aware of and for me it is a case of getting used to a smaller, busier viewfinder and keeping my eye on the shutter speed.
Looking back through the images, an aperture of f4 would be ideal with the 23mm lens of the X100T when shooting candids or street photography. This was indoors and 1/100th sec at f4 ISO 1600 with camera to my eye.
Last weeks experiences on the streets of London have taught me a lot about this style of shooting and also given me the confidence that insofar as I am concerned the X100T is going to be the perfect tool for the job.
But of course, I didn’t stop at the X100T as you will know if you’ve read any of my recent posts. A flurry of activity online, selling my Nikon 16-35 lens and the entire EOS M3 kit amongst other items, has provided the budget for a new Fuji X-T10 and four lenses (8mm fisheye, 12mm, 18-55mm and 55-200mm).
One thing I have been very conscious of more recently is the weight of my Nikon kit. It is less of an issue when out in the fells for the day with one of my photographic partners but for a day out with the family it is frankly a liability. However, spending five days away, as we did last week, I prefer to have some options other than just a DSLR and 24-70 zoom. But it is not practical, my full Nikon kit is bigger than the suitcase we use for a start! So, whilst researching the Fuji X-series I realised I could put together an excellent system which would mean I could cut down on bulk and weight without compromising on versatility.
Spoiler alert: I bought the X-T10 as my lightweight alternative to the Nikons and at this stage it is not my intention to ditch the DSLRs so don’t expect a “Road to Damascus” moment later in this post because there hasn’t been one … yet.
The images above were all taken with the Fuji X-T10 on a day spent in Kew Gardens, London. I used three lenses during the day, the Samyang 8mm fisheye, the Fujinon 18-55 “kit lens” and the Fujinon 55-200mm. As you will have worked out I had a full-frame equivalent of 27mm through to 300mm at my disposal (if you exclude the slightly more esoteric fisheye) which compares more than favourably to the 24-70 I would have restricted myself to if I’d brought the Nikon DSLR on this trip. Weight-wise I didn’t get the scales out but my shoulders reported no more strain from the Fuji and three lenses than it would have from one lens plus DSLR Nikon set-up.
It is too early to make any detailed conclusions about the X-T10 although I have already fallen for the quality of JPEGs from both Fujis. I used the X-T10 mainly on a walk along the South Bank one afternoon and for a full day in Kew Gardens. It was in my bag at all times though and so did get a brief outing in the West End as the image above shows.
First impressions are very positive though both in terms of handling and in terms of image quality. I was very happy with the Canon EOS M3 I was using recently but have to say that the Fuji experience has been far superior so far. That is not to say the M3 is poor, far from it I still rate it highly, but the Fuji’s have so far provided an even better user experience so I am more than happy with my recent purchases.
Whether or not it becomes a DSLR-killer remains to be seen. I am not even going to entertain the idea of ditching my Nikons until I have used the Fujis for a good six months, which takes us into 2017. I feel confident enough with the X-T10 though to have invested in a Lee Seven5 starter kit and will be testing the system out on my next couple of landscape shoots. If all goes well I will take both systems to Skye in November and use the Fuji for those days when the walking is mostly steeply upwards. But that is jumping head.
At present my introduction to the Fuji X-series has been a very positive one. From having mixed feelings about the X100 in 2011 I find myself in 2016 with an X-T10 and X100T feeling very positive about the system and looking forward to exploring the Fuji X-world further over the coming months.
I wrote in my last post about why I have committed to a picture-a-day and how I’ve recently passed the 500th consecutive day.
I’ve just shot today’s “insurance” image; an image taken early in the day just in case I don’t get out later for a proper walk or shoot. In the 500+ days since I started the picture-a-day I’ve only used my insurance shot twice but I still take one most days just to be safe. I have a list of potential images in my head centred around the Dean Clough area of Halifax. Many of my daily images have come from this historical and immensely interesting site and in addition I am there most mornings when taking the wife to work. It is therefore also a great option for the insurance shot. Other options that I have in the back of my head are possibilities close to my home in Elland and within easy walking distance regardless of the weather.
I guess this concept of an insurance shot is one of the most important things I’ve learnt in the context of how I need to approach a 365. Another is not to stress out about it, the images will flow if your mind is receptive, and it cannot be creatively receptive if you are stressing about the next shot. It is a Challenge but it is not a matter of life or death after all!
For me the most important question is whether or not I’m happy with the image I post each day. For the most part I’ve been very happy. There are a couple that with the benefit of hindsight I’m not overly keen on but nevertheless there are none that I regret posting. Indeed, the Challenge has meant that I’ve got a lot of images this year that I simply would not have made without the daily challenge. There are numerous days when I would probably have stayed at home and not ventured out were it not for the Challenge.
I spent the last few years of my working life living, breathing and even dreaming (yes, really) spreadsheets. You’d have thought I’d have had enough of them but somehow the picture-a-day project drew me back into the murky world of spreadsheets and data analysis. Thankfully not in too much depth but enough to be able to tell you that of my first 500 images just under 30% were mono/black & white which was really unexpected. Prior to starting the “365” Project only around 10% of my posted work was in colour so for my pictures-of-the-day to account for 70% was very counter intuitive. Having a regular audience (the members of the 365 Group I joined) must have subconsciously steered me towards colour. So far in 2019 around 40% has been black and white and it seems I am subconsciously trying to redress the balance as it were.
The shift towards urban photography was to be expected; I cannot escape to the mountains every day after all. One unexpected piece of intelligence I gleaned however was how little I was using my full-frame Nikon D800E and it’s partner the D7100. Delving into Lightroom recently I found I had not used either Nikon for getting on six months and so the decision to fully embrace the Fuji system and sell the last of my Nikon kit was made.
Other Fuji camera
Fuji X-Pro1, X-T20, X-E1 and X-T1
D800E and D7100 - none in 2019
purchased September 2018
Mavic Pro Drone
iPhone 7 and Huawei P20 Pro
So, after 500 days into the Challenge I feel I’m reaping the benefits I’d hoped for and taking images is now just part of what I do every day. Whilst I do not have the luxury of a full days shooting every day I am spending time every day with a camera.
One of the benefits I hadn’t anticipated was that I am now “photo-ready” at all times. In the past if there’s been a couple of weeks between shoots I’ve taken time to get my eye in and settle in to the rhythm as it were. Now my eye is ever-ready it seems and I am better equipped to take advantage of even the smallest opportunities for image making.
A “365” won’t be for everyone but I’m intrigued to see how far I can go with it!
Back in October 2017 I embarked upon a challenge to take a picture a day every day. Said pictures to be shared to a dedicated Flickr group as soon as practical, ideally on the same day but no pressure if not. I initially set out to create a daily image for the 63 days that remained in 2017 in the hope that it would give me the experience needed to attempt my first full 365 in 2018. Back in February 2015 I’d attempted a picture a day for 28 days and whilst I made the 28 images it was not a success, I even resorted to photographing the contents of the car boot at eleven pm one evening with my phone as we checked into a hotel. However, I recently passed the 500 image mark, that is over 500 consecutive daily images! I’ve been reflecting on the experience and am going to share these reflections over a couple of posts; this one and another in a day or two.
Why did I do it? I certainly asked this question on more than one occasion over the last 500 days! It’s definitely been a challenge, both creatively and logistically but there is no doubt it quickly became a habit, just part of my normal, daily routine. There is also a huge amount of personal satisfaction as each milestone ticks up. A week, one month, 50 days, 100 days, six months, one year … each milestone provided a further goal to aim for, to aspire to. It’s a useful motivational boost as each milestone is passed.
I use a spreadsheet (more on this in part two) to catalogue each image noting how many are posted on the day and other factual data. I also make a point of writing a short (well, usually it is short) caption for each image. I belong to a dedicated 365 group on Flickr, we limit ourselves to around 50 members at any one time, and by being part of the group I get a sense of community, support and of course some welcome encouragement and feedback. Feedback can be motivational or constructive and is often both. A simple “like” can lift the spirits and I just wish I was able to comment on more images from my fellow members every day.
On a practical level I quickly learned to carry a camera at all times. My smartphone made a good substitute early on but I soon got into the habit of dropping one of my smaller cameras in my bag or pocket whenever I went out. The Fuji X100t has been the workhorse for this project and in fact is now stored in my bag permanently. I have however used every digital camera I own, or have owned, during the past 500 days a fact I have also tabulated in part two.
I vowed at the start that pictures of my breakfast or arty shots of my Americano in Costa Coffee would be taboo. Whilst some of the everyday shots of life in Elland are bordering on the banal, they are to me slices of social history (I don’t mean to sound pretentious) whilst pictures of my coffee would by my reckoning be simply lazy although I totally get that for some people it’s an important part of the documentary process. It depends on your personal objectives I guess. The most difficult couple of days came over the Winter of 2017/2018, less than five weeks into the challenge. I contracted pneumonia and spent the next three months on steroids, antibiotics and under virtual house arrest to avoid hospitalisation. I kept the 365 alive with macro images shot in the back or front yard or still life set ups in the spare bedroom. Numerous images taken from the bedroom window tested my creativity. There were two consecutive days when I physically couldn’t manage even these simple activities though but on both days I made it downstairs long enough to snap pictures of my medication hanging on the Christmas tree – surely the most banal images I’ve snapped during the challenge but still they tell a story (see above for an example). Many images during this period were shot on a full frame Nikon D800E digital camera which, as is revealed in the next instalment, [spoiler alert] has largely been replaced in my day to day photography by Fuji X-series cameras.
Whereas in the past photography was a specific activity that I planned in advance I now find that photography is just something that I include in my daily routine. I often take my wife to work at 7am and rather than turning around and coming straight home I have taken to spending ten or fifteen minutes taking photographs before going home. I don’t miss the fifteen minutes in the context of my daily chores and I exercise my photographic muscles in the process. Some days I drive in, noting the light and by the time I drop the wife off I know exactly what I am going to photograph and from which vantage point. I created a very pleasing series of blue-hour images in this way none of which would have been taken in the past when photography was a specific something that I did. I now photograph as part of my routine daily functions such as breathing, eating and sneezing.
On days when I have chores at home I regularly take a short walk early afternoon, partly to stretch my legs and get some fresh air but mainly to give me the opportunity to look for images. I always carry a camera and whilst I may not come back with that day’s image every time it has proven a very fruitful activity and greatly increased my knowledge of my local patch and it’s possibilities.
So much of what is needed for a successful 365 seems to come down to your state of mind I feel and how you approach or think about things:
I carry a camera all the time – even when walking down to the newsagents for the daily papers;
I look AND see, noting what might make a good image and under what circumstances – greedily storing away opportunities for the future;
I do not rely on photography “trips” – every time I leave the house is a photographic opportunity – it’s a state of mind;
I make opportunities out of my daily routines;
I no longer worry about what other people might think of my images – I photograph anything that takes my eye, that moves or amuses me – if others like it then that is a bonus;
Train yourself to look beyond the obvious – floral portraits have been a staple of my back yard photography in the past but there are also shapes, shadows and the play of light on the steps if I look AND see;
Don’t Panic! If you are really concerned about capturing that day’s image then try to take an “insurance shot” before breakfast – it’s amazing how that frees you from worrying and sometimes it turns out to be better than you’d anticipated;
Embrace the location, the weather, the light – cameras also work in the rain and the dark – in fact dark, rainy nights in town can make some great images – just get out there;
Sounds counter-intuitive but stop thinking about the daily image – free your mind from the worry and your creativity can come to the surface – sounds a bit “New Age” thinking but it does work – trust me.
And before anyone thinks I’m implying this is easy – I am not. It can still be hard work but by approaching it with the correct mind set and incorporating it into part of your daily routine, rather than a standalone activity, it is possible to ease the burden and more importantly really enjoy the process whilst expanding your skills and competency at the same time.
If you are into photography you know what I mean. If you’re not then you won’t care I guess.
Why do camera magazines in particular and also many enthusiasts feel the need to convert the focal length of lenses used with their (non full-frame) cameras when captioning their images? For anyone who has never used a full-frame camera it is probably meaningless or at least not something they can visualise easily. I suspect that many readers really don’t give a FF and that those to whom it matters will be knowledgeable enough to work it out for themselves.
I came to digital photography from film SLR cameras so it could be argued that I come with baggage as it were. Turns out that those film cameras I used for 30+ years were full frame all along. Who knew? Based on this arbitrary standard therefore my newly acquired Canon 400D had what was called a “crop sensor”. Clearly I had a lot to learn as I transitioned from analog to digital.
I took up digital photography around 2002/2003 and certainly do not remember converting to “FFE”, it just wasn’t a thing back then – and I really don’t think I was worse off for it not being a thing either. But now it seems to matter. Why?
So here’s my point. I suspect that many people coming to photography these days have never shot with film and more likely than not started their photographic endeavours with what are now known as crop-sensor digital cameras. For them there is no FF baggage, no FF background as it were. If they are in the majority (and I have done zero research on this) then wouldn’t it be more logical to caption images captured on a FF camera with the APS-C equivalent? And if so which standard – 1.5x, 1.6x, 2x? Or should we just let those who are interested work it out for themselves? It’s hardly Olympic standard mental arithmetic after all.
I guess if you are paid by the word though you might consider the extra wordage necessary?
I have repurposed here a post from a previous blog in order to preserve it as I am closing the blog it is from this week.
I saw an innocent-sounding question online recently:
“Can anyone throw light on the best 360 camera … high resolution and clarity … easy on editing?”
When I came across it there were 47 comments (hence my title) but it was increasing even as I read some of the replies. My favourite was:
“This question gets asked once a month. Just start reading backwards.”
Which kind-of highlights the problem with new(ish) technology. In its early days it is progressing at such a phenomenal rate that each new device is virtually obsolete before it comes to market. It becomes virtually impossible to keep up to date with the new information and specs let alone actually having the most up to date technology in your bag. In the very few weeks that I’ve owned my INSTA360 One the price has dropped by almost 20% and a newer model has been released.
So, what to do? Jump straight on the upgrade treadmill or stick with what I have despite knowing that it is no longer the best I could afford?
Well, that’s a simple one in reality. There is absolutely no point in upgrading for at least two generations in my view as the technology is changing so rapidly it does not make sense to constantly upgrade. It’s different in a mature market but generally available 360 photography is still a nascent technology with all the volatility that brings.
It’s not just technology that’s evolving though. My understanding of the camera’s capabilities is also improving each time I use it. The more I play the more I can see opportunities for exploiting the technology. Hence sticking the camera up amongst the branches of a small tree in a car park! Also, the more I look at other peoples work the more I realise that there is lots yet to learn.
So, it makes sense to me to work with what I’ve got until such time as I am genuinely held back from achieving what I visualise by the limitations of the technology. Sometimes it makes sense to push to the back of your mind how the technology is evolving and concentrate on making images!
I have repurposed here a post from a previous blog in order to preserve it as I am closing the blog it is from this week.
I hit 60 last year (I know, you all thought I was about 12) and wanting to buy me something a little different my wife plumped for the INSTA360 One camera. The clue is in the name – it shoots 360 video and stills. Now, we are not taking DSLR image quality here and at a point when I’ve just upgraded the little Fuji X-T20 for the X-T3 it seems counterintuitive to be buying a camera with some serious limitations in respect of image quality. But, and this is important, the purpose of buying such a camera, for me, was not to produce 20×16 inch exhibition prints, but to have a bit of fun. At present the biggest audience for 360 images is to be found on social media.The tiny 24mb/4K sensor in the One is more than adequate for the purpose and indeed obsessing about image quality is to miss the point of owning this camera.
The small, very simple to operate, 360 camera gives me access to another outlet for my photographic exploits. Up until now I’ve not been using it “seriously” as I’m enjoying the fun of creating little selfie-worlds but whilst playing I’m learning. I’ve already realised that using my phone as a Bluetooth trigger is a little limiting so have ordered the small, but relatively pricey as it has to be bought from abroad, INSTA360 remote trigger. This can be used discretely in the hand or if using the selfie stick it can be attached to the stick itself.
I shall write more about this new photographic offshoot over time as I get to grips with its idiosyncrasies but in the meantime you can also find me on Instagram.